Carlos Reygadas won the Best Director prize for his visually striking Post Tenebras Lux at the 2012 Cannes Film Festival. The images in Reygarads' film looked like they emerged from a dream; there was a soft focus around the edges of the frame, giving its characters the cinematic equivalent of a screen halo. Now those indelible visuals from Post Tenebras Lux are challenged and intensified in a captivating video art piece by Kevin L. Ferguson.
Using progressive summed frames, Ferguson creates a unique side-by-side cine-essay ruminating on two ideas: what we see and how much of it we see in total. On the left side of the screen, Ferguson presents a still from every ten seconds of the first five minutes of Post Tenebras Lux and on the right side of the screen he sums those progressive frames into ten-second intervals.
The result is an arresting piece of moving image impressionism. See for yourself.
Using progressive summed frames, Ferguson creates a unique side-by-side cine-essay ruminating on two ideas: what we see and how much of it we see in total. On the left side of the screen, Ferguson presents a still from every ten seconds of the first five minutes of Post Tenebras Lux and on the right side of the screen he sums those progressive frames into ten-second intervals.
The result is an arresting piece of moving image impressionism. See for yourself.